2017 is the 500^th anniversary of the events that brought about a permanent religious schism within Western Christendom. This digital exhibition explores how Europe’s multiple and competing Reformations have been remembered, forgotten, contested, and re-invented since the sixteenth century. A collaborative enterprise between Cambridge University Library, Lambeth Palace Library, and York Minster Library, it displays some of the many treasures in their collections. It is a product of a major interdisciplinary project, ‘Remembering the Reformation’, funded by the Arts and Humanities Research Council.

View online by clicking on the image to the left.

For a thousand years the Jewish community of Old Cairo put their worn-out writings into a synagogue storage room, a genizah. Explore one of the greatest collections of Cambridge University Library and a remarkable survival of the medieval past. Discarded History: The Genizah of Medieval Cairo provides a window on the life of a community a thousand years ago – a Jewish community in the centre of a thriving Islamic empire, international in outlook, multicultural in make up, devout to its core.

Please note the exhibition will be closed from 1.30-5pm on Wednesday  20 September.

Basil Godfrey Quin, student of St John’s College, veteran of the Western Front and author of detective fiction in the early 1930s. The UL celebrates this author at the 100th anniversary of the Battle of Passchendaele when he was awarded the Military Cross.

Find out why the University Library has a pair of Indian slippers in its collections, how psychic thumbprints were made, and why Charles Darwin was sent beard hair in the post. From an ostrich feather and ectoplasm to an old boot and a boomerang, the curious objects in this exhibition all have a part to play in telling the story of the Library, and form a cabinet of curiosities that opens a window onto the nature of collecting.

Miguel de Cervantes died in 1616. This anniversary is an opportunity to showcase some rarely seen material from a wide number of collections within the University Library, focusing on Cervantes’ most celebrated character: Don Quixote. The aim is to highlight some of the ways in which this figure has been appropriated by readers, artists and other writers throughout the centuries. This exhibition features a wide range of beautifully illustrated material.

View online by clicking on the image to the left.

To complement our major exhibition, Curious Objects, we have collected twenty more curiosities, from a biscuit tin globe to advice on ‘Bicycling for Ladies’. Thanks to support from the Heritage Lottery Fund, the Library has photographed these items and made them available in this special Collected Curiosities online exhibition. A selection will be on display in the Library Entrance Hall from 3 to 10 December.

In 1866, the great novelist Fyodor Dostoevsky published his most famous work. Set in St Petersburg and Siberia, Crime and Punishment follows the story of student-turned-murderer Rodion Raskolnikov. This exhibition, curated by a mixed group of arts and sciences students at the University of British Columbia, is part of a transatlantic project to celebrate Crime and Punishment as the novel turns 150.

Lines of Thought celebrates 600 years of the University Library by tracing six key concepts that have shaped the world, and uncovering the role Cambridge University Library and its collections have played in the development of those concepts over six hundred years; from 1416 back to the third millennium BCE and forward to the present day, this exhibition includes some of the most iconic treasures in the Library.

Lancelot ‘Capability’ Brown (1716–1783) remains one of the most influential figures in British garden history. Only a tiny minority had the estate and the money needed to realise his schemes, but the expanding publishing industry served the largest audience for his landscapes – the armchair traveller. A legion of artists served this market, recording Brown’s work in pencil, oil, watercolour and ink. This exhibition reveals some of the rich pictorial record of Brown’s landscapes.